Yolngu Art and the Creativity of the Inside Howard Morphy Pdf

Papers

Aboriginal Religions in Australia , 2017

Yolngu art is both an important institution and ane that exemplifies features of the structure of... more than Yolngu art is both an important institution and one that exemplifies features of the construction of Yolngu order and the Yolngu system of noesis. Paintings, dances, songs, and power names are collectively the mardayin, the" sacred law" through which knowledge of the ...

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Este artigo dialoga com bone argumentos teoricos do livro Art and Agency , de Alfred Gell. Sugere-... more than Este artigo dialoga com bone argumentos teoricos practise livro Fine art and Bureau , de Alfred Gell. Sugere-se que Gell, ainda que sustentando enfaticamente uma perspectiva orientada para a acao, desvia a atencao da agencia humana ao atribuir agencia aos objetos. Argumenta-se que as propriedades mesmas da arte, que Gell exclui da sua definicao de objeto de arte e, em grande medida, da sua analise – estetica e semântica – sao essenciais para a compreensao da arte como um modo de agir no mundo east do impacto que obras de arte tem sobre as pessoas.

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Museum Anthropology , 2020

Museums, Infinity and the Culture of Protocols enters a dialogue about museums' responsibleness fo... more than Museums, Infinity and the Civilization of Protocols enters a dialogue about museums' responsibleness for the curation of their collections into an infinite future while besides tackling contentious problems of repatriation and digital access to collections. Bringing into focus a number of key debates centred on ethnographic collections and their relationship with source communities, Morphy considers the value textile objects have to dissimilar 'local' communities – the museum and the source customs – and the value-creation processes with which they are entangled. The focus on values and value brings the issue of repatriation and admission into a dialogue between the two locals, questioning who has access to collections and whose values are taken into consideration. Placing the museum itself firmly at the middle of the debate, Morphy posits that museums constitute a kind of 'local' embedded in a trajectory of value. Museums, Infinity and the Culture of Protocols challenges aspects of postcolonial theory that position museums in the past by presenting an argument that places relationships with communities equally central to the hereafter of museums. This makes the volume essential reading for academics and students working in the fields of museum and heritage studies, anthropology, archæology, Indigenous studies, cultural studies, and history.

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In 'No Clear Championship' (Quadrant, January/ February 1979), P.W. Nichols takes issue with som... more than In 'No Clear Title' (Quadrant, Jan/ Feb 1979), P.W. Nichols takes issue with some of the main points I made in my commodity Title to their Country' (Quadrant, September 1978). His article is in effect an attack on the concept of Ancient Land Rights in general, and the Ancient Land Rights (Northern Territory) Human action in particular. Though Mr Nichols states that his chief aim is to endeavour to reconcile Aboriginal and European concepts of ownership, his chief argument comes close to existence a denial of justice to Aborigines. Moreover, many of the 'facts' he uses in back up of his thesis are open up to question.

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Museums, Infinity and the Culture of Protocols , 2019

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Museums, Infinity and the Culture of Protocols , 2019

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Australian Inquiry Quango (ARC); Australian national University. Centre for Cross-Cultural Rese... more than Australian Research Council (ARC); Australian national University. Centre for Cantankerous-Cultural Research Research Schoolhouse of Humanities; NSW Dept. of Instruction and Training; The Australian National Maritime Museum; Yirrkala Community Education Centre; Boolarng Nangamai Aboriginal Art and Culture studio, Gerringong NSW; Buku-Larrnggay Mulka Centre, Yirrkala NT

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This paper contrasts settler Australian and Yolngu ways of conceptualising and giving meaning to ... more This newspaper contrasts settler Australian and Yolngu means of conceptualising and giving meaning to the bodies of table salt h2o that settler Australians telephone call 'seas' and 'oceans'. Under the Aboriginal Lands Rights (Northern Territory) Human activity 1976 (ALRA) Aboriginal freehold country has always extended down to the depression water mark. In a historic majority determination on 30 July 2008, the High Court of Australia ruled on appeal in the Blue Mud Bay instance that, in consequence, the ALRA too applies to the column of water above the intertidal zone. This paper explores elements of the Yolngu worldview in society to unsettle the foundations of the settler 'political geographic imaginary' surrounding concepts such as 'body of water' and 'border'.

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Humanities Research , 2009

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Man , 1984

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… anthropology: Emergence and … , 2007

Zygmunt Bauman, justifying a 2nd edition of his book Civilisation as Praxis, twenty-v years afte... more Zygmunt Bauman, justifying a second edition of his book Culture as Praxis, twenty-5 years later on the publication of the original, reflects on the tendency in contemporary social theory for ideas to be buried before their fourth dimension or to exist remembered in a fashion that distorts the senses ...

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Aboriginal Religions in Commonwealth of australia , 2017

Yolngu art is both an important institution and one that exemplifies features of the structure of... more Yolngu art is both an important institution and one that exemplifies features of the construction of Yolngu order and the Yolngu system of knowledge. Paintings, dances, songs, and power names are collectively the mardayin, the" sacred law" through which noesis of the ...

PaperRank:

Este artigo dialoga com os argumentos teoricos do livro Art and Agency , de Alfred Gell. Sugere-... more Este artigo dialoga com os argumentos teoricos do livro Art and Agency , de Alfred Gell. Sugere-se que Gell, ainda que sustentando enfaticamente uma perspectiva orientada para a acao, desvia a atencao da agencia humana ao atribuir agencia aos objetos. Argumenta-se que as propriedades mesmas da arte, que Gell exclui da sua definicao de objeto de arte e, em grande medida, da sua analise – estetica e semântica – sao essenciais para a compreensao da arte como um modo de agir no mundo e practise impacto que obras de arte tem sobre equally pessoas.

PaperRank:

Museum Anthropology , 2020

Museums, Infinity and the Civilization of Protocols enters a dialogue nigh museums' responsibility fo... more Museums, Infinity and the Culture of Protocols enters a dialogue about museums' responsibleness for the curation of their collections into an space futurity while also tackling contentious issues of repatriation and digital access to collections. Bringing into focus a number of key debates centred on ethnographic collections and their relationship with source communities, Morphy considers the value fabric objects have to different 'local' communities – the museum and the source customs – and the value-creation processes with which they are entangled. The focus on values and value brings the issue of repatriation and admission into a dialogue between the 2 locals, questioning who has access to collections and whose values are taken into consideration. Placing the museum itself firmly at the heart of the debate, Morphy posits that museums institute a kind of 'local' embedded in a trajectory of value. Museums, Infinity and the Civilization of Protocols challenges aspects of postcolonial theory that position museums in the past past presenting an argument that places relationships with communities equally central to the future of museums. This makes the book essential reading for academics and students working in the fields of museum and heritage studies, anthropology, archeology, Ethnic studies, cultural studies, and history.

PaperRank:

In 'No Clear Title' (Quadrant, January/ February 1979), P.W. Nichols takes outcome with som... more than In 'No Clear Title' (Quadrant, January/ February 1979), P.West. Nichols takes issue with some of the master points I made in my commodity Title to their Land' (Quadrant, September 1978). His article is in effect an assail on the concept of Aboriginal Land Rights in general, and the Aboriginal Land Rights (Northern Territory) Act in particular. Though Mr Nichols states that his chief aim is to effort to reconcile Aboriginal and European concepts of ownership, his main argument comes shut to being a denial of justice to Aborigines. Moreover, many of the 'facts' he uses in support of his thesis are open to question.

PaperRank:

Museums, Infinity and the Culture of Protocols , 2019

PaperRank:

Museums, Infinity and the Culture of Protocols , 2019

PaperRank:

Australian Research Council (ARC); Australian national Academy. Heart for Cross-Cultural Rese... more Australian Research Council (ARC); Australian national University. Centre for Cross-Cultural Research Research School of Humanities; NSW Dept. of Education and Training; The Australian National Maritime Museum; Yirrkala Community Education Centre; Boolarng Nangamai Aboriginal Fine art and Culture studio, Gerringong NSW; Buku-Larrnggay Mulka Centre, Yirrkala NT

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This newspaper contrasts settler Australian and Yolngu means of conceptualising and giving pregnant to ... more This paper contrasts settler Australian and Yolngu ways of conceptualising and giving meaning to the bodies of salt water that settler Australians call 'seas' and 'oceans'. Under the Aboriginal Lands Rights (Northern Territory) Act 1976 (ALRA) Aboriginal freehold country has e'er extended downwards to the depression h2o marker. In a historic bulk decision on 30 July 2008, the High Court of Australia ruled on entreatment in the Blue Mud Bay case that, in effect, the ALRA besides applies to the column of water above the intertidal zone. This paper explores elements of the Yolngu worldview in order to unsettle the foundations of the settler 'political geographic imaginary' surrounding concepts such every bit 'body of water' and 'border'.

PaperRank:

Humanities Research , 2009

PaperRank:

Man , 1984

PaperRank:

… anthropology: Emergence and … , 2007

Zygmunt Bauman, justifying a second edition of his book Culture every bit Praxis, 20-five years afte... more Zygmunt Bauman, justifying a second edition of his book Culture as Praxis, twenty-five years subsequently the publication of the original, reflects on the tendency in contemporary social theory for ideas to be buried before their time or to be remembered in a way that distorts the senses ...

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This website was an outcome of a three year Australian Inquiry Council (ARC) Linkage Project 'In... more than This website was an upshot of a three yr Australian Enquiry Quango (ARC) Linkage Project 'Indigenous knowledge and Western science educational activity: a comparative arroyo'. The project aimed to determine the most effective ways of incorporating Indigenous noesis within the NSW secondary school science curricula.

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Source: https://anu-au.academia.edu/HowardMorphy

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Yolngu Art and the Creativity of the Inside Howard Morphy Pdf

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